Why split-flap boards sound the way they do
A real flap click is two sounds in quick succession — a light release tick, then a heavier landing clack a few milliseconds later. FlipLetters synthesizes both stages per theme (Solari, Thock, Deep, Clickity, Fizz) rather than looping a single sample, and pans each click by its board column so a wide board sounds like it's actually in front of you.
Most split-flap sound effects you'll find online are a single sample looped once per flip. It reads fine for a few seconds, but it falls apart the moment a whole row cascades at once — real boards don't click in perfect unison, and a single repeated sample very quickly sounds like a machine gun instead of a machine.
A real flap click is actually two events close together: a light release tick as the flap lifts off its rest position, then a heavier landing clack a beat later as it lands against the next character. FlipLetters synthesizes both stages for every click, with the gap between them varying slightly per flip so a busy board doesn't sound metronomic.
Different physical boards sound different, too. A Solari-style airport board has a bright, plastic clack. A flip-dot sign is fizzier and higher-pitched. A DIY desk marquee sounds boxier and more mechanical. FlipLetters ships five sound themes tuned to match those different characters, each with several randomized variations so no two clicks are identical.
The last piece is spatial: a click from the left edge of a wide board should sound like it's coming from the left. Every click in FlipLetters pans across the stereo field based on which column it's in, so headphone playback reads as a wide, physical object rather than a flat loop.
None of it is sampled from a real board recording — it's built from scratch in the audio engine to match the timing and tone of the real thing, which means every sound FlipLetters ships is one it actually owns.